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| ©Curve Theatre |
On a miserable November evening, The Curve was a beacon of
lit-up floor to ceiling windows, big,
multi-coloured Christmas tree style light bulbs strung garland style
across the windows. I’ve got used to the
inside now and like the huge spaces: a cross between an aircraft hangar and a
factory with all the gleaming pipes above looking as though they’re wrapped in
bacofoil.
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| Swan Lake©Bill Cooper |
We were at The Curve for Matthew Bourne’s Swan Lake, the story
revolving around the Prince, like a slumping shouldered Rodney from Only Fools
and Horses with mental health and alcohol issues. He was pathetically desperate for love, which
wasn’t coming from his Queen, played like a controlling but rejecting mother
rather than partner.
I loved the sleazy bar scenes, the ballet within a ballet that
the Prince and his entourage watched and the laugh-out-loud humour when the
Prince’s fluffy-love interest’s mobile went off while they were watching the ballet
and us in the audience thinking, OMG – is that mine?
The swans’ dancing was amazing, perfectly choreographed, although
the principal white swan’s chest was sweating like past-by-sell-by-date pre-packed
ham, but I’m sure it couldn’t be helped.
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| Swan Lake©Bill Cooper |
The scene where the prince unravelled further was set in a
ballroom with huge pillars and two great Olympic style torches suggesting the power
of the old Eastern Bloc and then the Stranger arrived, like some Russian Mafia
man, slapping his black leather trousers, big, bold and dominant, turning every
woman’s head not to mention the Princes’, although once again he was rejected.
The female dancer’s costumes in this scene were fabulous: a black velvet suit with sequin revers, a net
dress with two butterflies of chiffon protecting the dancer’s modesty. The fluffy love interest was in black sequins
and lace and the Queen, most definitely the Queen Bee, was in serious scarlet
with layers of black beneath. And how
did they manage to dance in high heels?
Only one pair of proper ballet shoes to be seen and that was in the
ballet within the ballet.
Next the bewildered, mad, prince is in a blindingly white
room, the sinister Svengali figure in cahoots with the Queen, orchestrating electrolysis
treatment delivered by robotic, masked medic dancers and … well .. it’s never
going to be a happy ending is it?
Overall, this Swan Lake production was one that you could
love on so many levels. The dancing, of
course, but even if you aren’t into ballet, the costumes and the scenery were
great as well as the actual acting. I’d
not appreciated what good actors that dancers also need to be to convey action
and moods with everything being conveyed through body language rather than
speech.
The Good: Going
to a ballet and really enjoying it.
The Not so Good: My coffee at the interval was in a horrible,
disposable cup.
Go Again: Definitely, I'd like to see another ballet – The Nutcracker
maybe?